The film follows the struggles of independent film
makers to produce an Oscar-worthy movie. Mila, the lead role in their
film, played by Eugene Domingo, is a dirt-poor mother living in the
slums of Payatas. She is in need of cash to ease her children's
suffering. Due to extreme poverty, Mila, in a desperate act to earn
money, prostitutes her boy to a foreign homosexual pedophile.
The
title of the film refers primarily to the final scene of the film where
Eugene Domingo, portraying as a mother from the slums who, with her
go-with-the-flow attitude, reluctantly agrees to let the camera roll
after accidentally falling into a septic tank. By definition, a
septic tank is a foul and putrid collection container of human waste. In
the movie, the septic tank represents the present-day situation of the
country that has become a filthy quagmire due to poverty. Falling into
that septic tank is Eugene Domingo, who embodies not just every woman in
the country but also every mother striving to keep her children from
the stench that is poverty.
The
film repeatedly showed scenes of slum areas in Metro Manila with
excruciating poverty situation. It defines the real score of
poverty-related issues in the country that affects the daily life of
every human who live in the slums. According to the National Statistical
Coordination Board or NSCB, the poverty incidence in the country among
families, there was only a slight reduction during there-year period,
from 21.1% in 2006 to 20.9 in 2009.7 The film also exposed the
long-time environmental problem in the Metro – the Payatas Dumpsite that
for years has become the major source of living for local folks
collecting scraps that can be sold to junkshops like plastics, metals,
among others. The Payatas Dumpsite represents the unbearable conditions
that poverty-stricken families have to live with.
Due
to poverty, Mila cannot bear to set her children living in unbearable
conditions what she did is to sell her male child to sexually satisfy a
homosexual pedophile. Mila’s desperation shows how too much poverty can
drive people to criminal lengths.
The
film Babae sa Septic Tank presents a clear picture of societal issues
like poverty, and child prostitution. These issues demonstrate the real
score of illnesses of the society especially in Metro and Mega Manila.
Following Eugene Domingo’s character, Mila, the film showed the lengths
a dirt-poor mother will take to survive. Mila’s desperate act of
prostituting her boy to a homosexual pedophile was brought about by
poverty.
The dominant themes
present in the film are Pedophilia/Child Prostitution and Sexual
Tourism. It was clearly manifested through Mila’s act of selling her
child just to earn money.
This societal problem is starting to grow in numbers. Recent reports
states that some poor mothers resort to selling their own children to
foreign pedophiles to earn money. And this is what was exactly portrayed
in the film. The mother, even if it was against her will, sold her
child to a pedophile to earn a living. This kind of wrongdoing by
a mother is punishable under the law but the government authorities had
failed to prevent these things from happening. This is an impediment to
moral values of a Catholic-country like the Philippines.
In recent statement, US Ambassador Harry Thomas Jr. said that 40
percent of male tourists from US come to the Philippines for sex. Later,
the ambassador apologized for his statement. But nevertheless, his
numbers do matter. Many foreigners not just from the US, according to
reports, come to the country for sexual pleasure. Again, this is an
impediment to moral values of Filipinos but even so, the problem still
proliferates.
The societal
issues that can be extracted from the film are: (1) Poverty. (2) Child
Prostitution and; (3) Sexual tourism. According to a rough estimate of
US Ambassador to the Philippines Harry Thomas Jr., 40% of foreign men
that would come to the Philippines come for sexual tourism.
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